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ou do not should wash your mummy sleeping bag just after each individual excursion. You can even location clear it that has a toothbrush and laundry paste. Attempt to help keep the shell faraway from the insulation in case you are place cleaning it. You could effortlessly clear the pinnacle and foot spot with the sleeping bag by undertaking this. A preemptive work to lessen the number of periods you should clean the bag would be to transform your clothing and shower right before acquiring while in the sleeping bag. Your skin and hair might get rather oily while tenting so it s vital that you wash off or at the very least placed on a new established of clothes just before you will get from the bag. You are going to know when it can be the perfect time to formally obtain the dirt and dirt out. It is possible to clean it in the tub, but this doesn t need to be a house primarily based position. Big industrial sized front loading washers with out aggregators which have been identified at your neighborhood laundromat are a great selection. Gentle cycle will insure the bag isn t going to get tossed about way too aggressively. You d like the bag to have the ability to spin freely. Your house equipment will smoosh and crinkle the bag unnecessarily which could bring about permanent harm. Expert dry cleaners have as well quite a few chemical substances that can shorten the existence from the bag considerably. Down stuffed sleeping luggage paired best with a delicate cleaning soap formulated for down. For artificial baggage, utilize a mild detergent or cleaning agent built for synthetics, and often try to remember to read through the precise tips for your personal bag. burberry replica It s best to unzip the bag, although not all of the way, when you don t need the slider to return off. Look at employing a water-proofing spray after you clean your mummy sleeping bag, simply because detergents have a tendency to wash absent the water-resistant components of your bag. Insulation is held jointly with the baffling elements inside your bag. No person ever reported that hanging out within the laundromat was like hanging out in the maternity ward, however it is still a good idea to handle your damp bag just like a new born little one while you transfer it from the washer to your dryer. Staying careful to maintain all the baffling intact will allow you to definitely again prolong the life of your mummy sleeping bag, and you will be the stud on the laundromat. The larger the dryer the better. Sleeping luggage usually takes 2-5 several hours to dry so be ready to reminisce regarding your last journey though your dryer is ready with a extremely minimal and funky setting. By using a number of minutes still left, increase some tennis balls that can help keep the burberry briefcase insulation spread evenly. In addition, you hold the choice to line dry the bag when you see the insulation is smooshing up from the drying machine, but that adds far more the perfect time to the procedure. Do your best to air out your bag for at least 24 for hours whenever you return from your trip. Stuff sacks are excellent for effectiveness and packing mild, but prolonged term they don t assistance your mummy sleeping bag. Down burberry scarf or synthetic insulation usually do not fare effectively if they are smushed up in the things sack and then rammed into your closet. If your mummy sleeping bag will not arrive having an further cotton storage sack, get yourself a huge sack that breaths. You can even utilize a king sized pillow situation. Provide the bag place in the closet and ensure that it truly is not crumpled alongside one another. You can even retailer it beneath your mattress inside of a king sized pillow circumstance in case you are missing in closet house. Smooth out crinkled spots and permit it breath. You can be happy you probably did since it may help continue to keep cold spots to some minimum amount once your insulation remains to be evenly dispersed just after a long time of use. It truly is achievable for the sleeping bag to very last numerous yrs, so thoroughly clean it, dry it, and do not SMOOSH THE BAG.
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H. Reiju Mihara, A Normative Economist H. Reiju Mihara, Summer 2006 H. Reiju Mihara, who has an Erdos number of 3 (via Erdos to A. L. Rubin to N. Brunner), is one of the four voting theorists (along with Condorcet, Borda, and Arrow) referred to in an article in The Why Files, a science education site founded as a project of the National Institute for Science Education. Mihara s works have been cited in books on various subjects, including social choice theory, mathematics, history of economics (cybernetics), and philosophy of science. Here is an example. Apparently, he needs more! Note Provided that you reasonably respect my rights, you are encouraged to make references and links to these pages (http //w.atwiki.jp/reiju/ and below). Some characters on this page will not appear correctly if your system cannot handle Japanese properly. In that case, just ignore them. (Even if they appear correctly, they are not likely to make sense to you unless you can read Japanese.) [リンクは大歓迎.] My previous site (http //www.cc.kagawa-u.ac.jp/~reiju/) has moved to the current site as well as an archive site (the latter consists mainly of pages not likely to be updated). Go to the front page (in Japanese; 日本語) [三原麗珠の日本語ページ; エッセイ,自己紹介,開設科目,開発教材,研究のためのリソースなど] Research Interests Fields Social Choice, Cooperative Game Theory, Mechanism Design, Economic Theory, Microeconomics, Normative Economics. Keywords Arrow's impossibility theorem, Turing computability, rank aggregation, simple games, Nakamura number. FAQs (research) answers some questions about Arrow s Theorem. You can find a precise statement of the theorem and a brief proof, too. When I m asked what my specialization is, I usually answer normative economics ---an area of economics (?) concerned with value judgments ("what is good?" or "what should be done?"). Since economics has "officially" been a value-free science (that is, it avoids value judgments), normative economics has conventionally adopted a certain trick. Instead of saying that a certain policy is good, it used to say "if your goal is such and such (this part contains value-judgments), then this policy works." Well...fine. But can economics really be value-free? Is it really important to be so? The fact is that in the conventional normative economics (usually called "welfare economics"), the "if" part (a performance criterion) has almost always been concerned with efficiency. (Economists say a certain situations "efficient" or "Pareto-optimal" if there is no alternative situation that is preferred by everybody.) Maybe we d better consider other criteria, too. Fortunately, social choice theory (or its descendant), traditionally a minor area in economics(?), offers many different criteria. These criteria include (i) whether the society treats individuals equally, (ii) whether information available in the society is efficiently used, (iii) whether the society adopts rules likely to be followed by many people (doesn t the society ignore individuals incentives to exploit the rules?), (iv) whether the society respects individual s freedom of choice? Choosing from these and other performance criteria, or deciding what criteria to emphasize, is an activity that cannot always be value-free. As I understand, normative economics (i) recognizes the impossibility of a value-free social science, but (ii) does not particularly view this impossibility negatively, and (iii) even positively gets involved with value judgments. Normative economics belongs to the intersection of several disciplines---including ethics and economics. Most of my work, however, is (and will probably be) rather mathematical, reflecting my training in Minnesota as an economic theorist. In particular, I adopt an axiomatic approach extensively used in social choice. My current research is concerned about information processing in social choice. Though it may not sound particularly normative, its intellectual background dates back to the debate on the possibility of socialism. In the debate, F.A. Hayek insisted that socialism would not work since it could not efficiently make use of dispersed information available to individuals. Although I do not think that is the most important reason for the failure of socialism, I think it is an important one. I applied theory of computation to examine possibility of centralized decision making. Academic Works Go to the page on researchmap. Presentations and Course Materials Invitation to a Course in Game Theory, Kagawa University. A three-minute talk based on an announcement made to a group of English speaking students at the University in June 2015. "Arrow s Impossibility Theorem and ways out of the impossibility" gives a ten-minute introduction to social choice theory. It also touches on some recent developments "King Solomon s Dilemma A simple solution" analyzes the Judgment of Solomon in the Old Testament. (My YouTube debut) Young 1994 Materials. A set of lecture notes for courses based on H. Peyton Young, Equity In Theory and Practice (Princeton University Press, Princeton, 1994). In the past, I got requests from the former political prisoner Marek Kaminski as well as the author H. P. Young. (You may also want to check, for example, Tayfun Sonmez s Game Theory, Lectures 11-14.) H. Reiju Mihara, Kagawa University Library 三原麗珠 香川大学 図書館
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Table of Contents + ... Table of Contents Introduction Save Files Adding AR codes into melonDS Thistle's Save Editor Rockman Customization Editing Bros Brother Roulette SSS/MS Editing Introduction Welcome to the save editing page! This page will breakdown on how to easily edit your saves for competitive SSR3 PvP. Save Files You will first need a save file to edit, download one of these save files for the version of the game you re using SSR3 Black Ace SSR3 Red Joker Both save files have six, genuine brothers which give you full LP and are on your team. These brothers aren t from WFC either, so when you go online they won t cleared. Adding AR codes into melonDS Before editing the save file with Thistle s Save Editor, it s best to first explain how to add cheats into melonDS. The first thing you should do is tick the "Enable Cheats" option, which can be found by going to System Enable cheats Then, launch the game and go to System Setup cheat codes and create a new category for your cheats After you ve set up your category, click the "New AR code" button and then enter your code AR code into the right text box. You can have multiple AR codes in one category and you can click the little arrow next to a category to see a drop-down list of all the AR codes in one category. You can also rename an AR code by highlighting it and pressing F2 Once you ve entered your code, hit OK. Thistle s Save Editor This will be the main tool which will be used for editing saves. It is a very robust tool which allows you to create your own build within a few minutes. Download the editor for your version of the game Thistle s Save Editor Extract it using 7zip or WinRAR and launch the version of the editor you ll want to use for your game. After launching, it should look like this There are many things to edit, but we ll break everything as we go along. Rockman Customization We ll first go over Rockman s customization options. Click on "Rockman Setting" A new window will be opened up which will allow you to edit Rockman s options. The first three parameters will allow you to edit Rockman s Noise, Rezon Card and White Card. While this window is open, you can click on "Noise list","Rezon Card list" and "White Card list" from the previous window to open up a list which will show you what each value contains You can also press the "Noise Card List" button to view the values for Noise Cards After seeing the lists, you can set Rockman s parameters accordingly. ※Before setting up Rockman s parameters, please make sure to check that your setup is within the game s limitations You CANNOT have more than ONE ★ card. You can only have ONE ★ card. You CANNOT have duplicate Noise Cards. For example, you CANNOT have two Leo Kingdom Noise cards. You can only have ONE. You also CANNOT have Noise Cards which have the same number and suit. For example, you CANNOT have the ❤7 Doom Count Noise and the ❤7 Boom Noise cards together. To know more about the rules and limitations of the game, please see the Rules page. To learn more about Noise Cards and how they work, please visit the this page. Editing Bros The save files already have six genuine bros ready for you to edit, so you can go straight to editing them. ※Before editing your fake bros, make sure that your edits are within the game s limitations You CANNOT have BURAI as a brother or HAVE a brother as BURAI. To know more about the rules and limitations of the game, please see the Rules page. If you re playing Burai, make sure to delete your brothers like so I) Click the Menu button. II) Click the Brother tab. III) Click on a brother and choose the second option. IV) Click the first option to delete a brother. Editing bros is very simple, you just go back to the same menu you see when you start the program. It s self-explanatory from there on. Choose the parameters of your fake bros and press "Generate" to create the necessary AR code Brother Roulette The other thing you can edit when it comes to brother roulette, to find out more about this, see this page. ※Before editing the brother roulette, make sure that you edit it within the game s limitations Brothers CANNOT have more than ONE Giga in their roulette! Brothers CANNOT have more than ONE Mega in their roulette! Brothers CANNOT have Leo Kingdom GX, Pegasus Magic GX or Dragon Sky GX in their roulette. To know more about the rules and limitations of the game, please see the Rules page. The Brother Roulette menu is also very straightforward and doesn t need much of an explanation Simply choose your chosen Mega/Giga cards for the roulette, and hit "Generate" to create your AR code. SSS/MS Editing The last parts to edit are the SSS/MS cards. They re a bit complicated to understand for new players, but this page does a good job of explaining them. ※Before editing SSS/MS cards, make sure that you adhere to the game s limitations You can only have THREE SSS/MS cards. They CANNOT be duplicates. To know more about the rules and limitations of the game, please see the Rules page. ※If you are planning to use SSS/MS cards together with Brothers Make sure to delete the brother slots which you ll be using for SSS. The interface is again, very straightforward and easy to use, simply choose which SSS/MS cards you want to use and then hit the "Generate" button again The SSS/MS lists include an image of the cards you get for every single SSS and MS level
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メモの翻訳 Hospital A doctor s memo; 医師のメモ The patient in room 206 is scheduled to undergo a trans-orbital lobotomy tomorrow. I ve mandated that the following medications be doubled on the day of the procedure.. 206号室の患者は明日、経眼窩ロボトミー手術が予定されています。 当日は下記の薬の量を倍にするよう指示してあります。 (2F、206号室) Attention Staff スタッフ各位 Our security has been somewhat compromised a patient used an X-Ray Film to write down the code for the security gate. We have recovered the first half, but the second half is still missing. Should you find the missing X-Ray piece be sure to notify the head ID security immediately. セキュリティーに若干の問題が起きました。患者の一人がセキュリティーゲートの暗証番号をレントゲンフィルムに書き留めてしまいました。 前半部は取り戻しましたが、後半部が書かれているものはまだ見つかっていません。 見つけたらただちにセキュリティID管理者に通知してください。 (2F、Nurse Center) A page from an incident report 報告書からの一ページ ...the patient proceeded to leap through the window and then ravaged the adjacent room The patient was not responsive to verbal commands. three staff members eventually subdued the patient. The patient entered a catatonic state and stopped responding to outside stimuli. Restraints ware unnecessary during the following week s electroshock therapy sessions. …患者は窓から飛び出し、隣の部屋で暴れ回りました。患者が指示に従わなかったため、最終的には職員が3人で取り押さえました。 患者は緊張病性昏迷をきたし、外部からの刺激に反応しなくなりました。 このため次の週の電気ショック療法の際には拘束する必要がありませんでした。 (2F、203号室) Missing patient bulletin; 患者失踪のお知らせ Room 205, patient went missing. last seen in the day room after a confrontation with another... The rest of the message is blurred and illegible. 205号室の患者がいなくなってしましました。 他の人と口論になった後に談話室にいるのを目撃されたのが最後です。 メッセージの残りは、ぼけて読めない。 (裏世界、2F) The Doctors say I m unable to discern fantasy from reality, but I think I know what s going on around here. I saw those demons murder the other patients. I want to escape from this cursed place, but I don t dare venture into the light. It seems that they are attracted to light. That s why people who need light to see are their natural prey. They also react strongly to sound. If you want to go on living, you d be better off just sitting in the dark and staying quite. But even that probably won t save you. 医者の先生たちは私が空想と現実を区別できてないと言うが、ここで何が起きているかは分かっているつもりだ。 私は他の患者があの悪魔たちに殺されるのを見た。こんな場所からは逃げ出したいが、灯りの下に出て行くような勇気はない。彼らは灯りに寄ってくる習性を持っているようなのだ。いや光の中に見える人という餌になのだろう。そして音に対しても反応を示す。もしただ生き延びたいのならば暗闇の中で、じっとしているのが正しいのかもしれない。 それで助かる保証はないけれど。 (裏世界、2F) SCHEDULE OF TREATMENT TYPE Electroshock DOCTOR Copen Doctor s signature is required after each entry MONDAY 9 00 a.m. (signed) Dr. Copen TUESDAY 9 15 a.m. (signed) Dr. Copen WEDNESDAY 9 00 a.m. (signed) Dr. Copen 5 00 p.m. (signed) Dr. Copen THURSDAY 9 15 a.m. (signed) Dr. Copen FRIDAY 9 00 a.m. (signed) Dr. Copen 5 00 p.m. (signed) Dr. Copen 11 00 p.m. (signed) Dr. Copen SATURDAY SUNDAY Comments Treatment has yet to achieve desired results. Patient is non-responsive. Please administer pureed foods only. 治療予定 方法:電気ショック療法 医師:コペン 各予定の後に医師の署名が必要です。 月曜日 午前 9 00(署名)コペン 火曜日 午前 9 15(署名)コペン 水曜日 午前 9 00(署名)コペン 午後 5 00(署名)コペン 木曜日 午前 9 15(署名)コペン 金曜日 午前 9 00(署名)コペン 午後 5 00(署名)コペン 午後11 00(署名)コペン 土曜日 日曜日 補足:治療はまだ成果が出ておらず、患者には反応がありません。食事は流動食のみにして下さい。 (裏世界、2F、Operating Theatre) ...setting the electroshock machine beyond the seizure threshold has yielded impressive results in the patients. The most violent and depressed patients are rendered completely docile... The only side-effects have been minor memory loss, some dislocated bones, one fractured leg, and a patient bit off his tongue. This accident was quite a nice side effect as this particular patient was also one of our noisiest. I ve instructed the doctors to continue with this intensity level for all treatments. …発作閾値以上の強度に設定して電気ショック療法を行ったところ、患者に素晴らしい結果をもたらした。患者たちは極めて攻撃的で、うつ症状が甚だしかったが、完全に従順になった… 副作用も今のところ大したものではない。患者の一人が記憶喪失に加え、数箇所を脱臼、片足を骨折し、舌を噛み切った程度である。 この事故は実に幸運なものだった。この患者はひどく騒がしかったからだ。 私は引き続きこの強度で全ての治療を行うよう医師に指示した。 (裏世界、2F、Operating Room)
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2.1 Missions Collection of 2.1 missions to sort later, or redone missions. Rat City Available at Level 11 (new mission chain) Wipe out the Vermin Infestation (1 group) Perkins will face against a formation of 4 Rats. Reward 500 XP, 100 XP for battle Next Mission The Right Tool for the Job The Right Tool for the Job Wipe out the Vermin Infestation (3 groups) The numerous Rat Infestations pits Mr. Purrface against a bunch of rats, with each battle rewarding 100 XP each. Reward 750 XP, 100 XP per battle Next Mission Aw, Rats. Aw, Rats. Wipe out the Vermin Infestation (6 groups) Similar to the lead-up mission, numerous Rat Infestations pits Mr. Purrface against tougher rat formations. Reward 800 XP Next Mission A Little Off the Top A Little Off the Top Available after Level 11 Groom Mr. Purrface Grooming is accomplished by engaging Mr. Purrface in the battle entitled, Ramsey v Purrface. Mr. Purrface does NOT want to be groomed, and she will prove it. Reward 500 XP Next Mission Morgan s Tale Morgan s Tale Groom Mr. Purrface Grooming is accomplished by engaging Mr. Purrface in the battle entitled, Morgan v Purrface. Mr. Purrface proves yet again that she does not want to be groomed, by anyone. Reward 500 XP Next Mission Floyd s Challenge Floyd s Challenge Groom Mr. Purrface Grooming is accomplished by engaging Mr. Purrface in the battle entitled, Floyd v Purrface. Floyd boasts his magic touch with animals. Mr. Purrface is not an animal - she is a beast. Reward 500 XP Next Mission None as of 2.1. Box Tops Available at Level 11 (new mission chain) Assist at a Protein Factory (2 times) Credit is rewarded for assisting a Protein Factory, either found on a friend s nation or one in Recoil Ridge. Reward 500 XP Next Mission A Package from Blammo Toys A Package from Blammo Toys Available after Level 11 Build a Mini Tank Reward 750 XP Next Mission Who Broke My Window? Who Broke My Window? Get the Raider Kids out of their Tank Note A special encounter called Raider Kids Tank will appear on the player s outpost. The battle consists of Lt. Morgan, Zoey, and three Mortars against the Raider Kids Mini Tank. Reward 750 XP Next Mission You ll Have to Pay for This Mess you Made You ll Have to Pay for This Mess you Made Collect Daikon (x2) Collect General Mo s Raptor (x2) Turn-in 700 Wood Reward 750 XP Next Mission First Raid Available at Level ? (new mission chain) Defeat Raiders on the World Map! (5 groups) Reward XP Next Mission
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I INTRODUCTION I イントロダクション The best things in an artist s work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist. Intuitions are shy things and apt to disappear if looked into too closely. And there is undoubtedly a danger that too much knowledge and training may supplant the natural intuitive feeling of a student, leaving only a cold knowledge of the means of expression in its place. For the artist, if he has the right stuff in him, has a consciousness, in doing his best work, of something, as Ruskin has said, not in him but through him. He has been, as it were, but the agent through which it has found expression. 芸術家の作品の中でもっとも良いものは直観に満ちているので、芸術家の要素をなす芸術的才能なるものについての知的な探究を完全に思いとどまらせようとする立場にとってはかなり有利である。直観は引っ込み思案で、近づいて見ようとすれば消えてしまいやすいものである。そして過剰な知識とトレーニングには、学生の自然で直観的な感性を、表現の意味についての冷めた知識に置き換えてしまうおそれがたしかにある。芸術家としては、彼が正しい資質を備えており、傑作を描く中でラスキンの言う「彼の中にはないが彼の中を通る」何ものかについての自覚を持つならば、彼はいわばそれを通して表現を発見する代理人であるだろう。 Talent can be described as that which we have, and Genius as that which has us. Now, although we may have little control over this power that has us, and although it may be as well to abandon oneself unreservedly to its influence, there can be little doubt as to its being the business of the artist to see to it that his talent be so developed, that he may prove a fit instrument for the expression of whatever it may be given him to express; while it must be left to his individual temperament to decide how far it is advisable to pursue any intellectual analysis of the elusive things that are the true matter of art. 才能は「われわれが持っているもの」、天才は「われわれをとらえるもの」と言える。さて、われわれはこの「われわれをとらえる」力をほとんどコントロールできないし、そのうえわれわれはその影響力にいやおうなく溺れてしまうが、どんな表現であれそれに適切な道具を示せるほどに才能を伸ばすようにするのが、芸術家の仕事であるということには、ほとんど疑いがないだろう。他方、芸術の本質というつかみどころのないものを知的に分析することを続けるのがどれだけ賢明であるかどうかは、彼個人の気質によって判断されるはずである。 Provided the student realises this, and that art training can only deal with the perfecting of a means of expression and that the real matter of art lies above this and is beyond the scope of teaching, he cannot have too much of it. For although he must ever be a child before the influence that moves him, if it is not with the knowledge of the grown man that he takes off his coat and approaches the craft of painting or drawing, he will be poorly equipped to make them a means of conveying to others in adequate form the things he may wish to express. Great things are only done in art when the creative instinct of the artist has a well-organised executive faculty at its disposal. このことや、芸術のトレーニングはある表現手段の徹底を扱うにすぎないこと、また本当の芸術というものはその上に存在し、教育の範疇を超えているということを理解している生徒は、いすぎて困るということはない。なぜなら彼は彼を動かす影響力の前では子ども同然でさえあるが、もし彼にコートを脱ぎペインティングやドローイングの技術に近づくだけの成長した人間の知性がなければ、彼は自分が表現したいことを十分な形式で他人に伝える手段にすることができないだろう。偉大なものは、芸術家の創造的直観が、彼が自由に使えるよく組織されたな実践的な能力を持つときに、芸術においてのみなされる。 * * * * * * * * * * Of the two divisions into which the technical study of painting can be divided, namely Form and Colour, we are concerned in this book with Form alone. But before proceeding to our immediate subject something should be said as to the nature of art generally, not with the ambition of arriving at any final result in a short chapter, but merely in order to give an idea of the point of view from which the following pages are written, so that misunderstandings may be avoided. 絵画の技術的な学習は、フォルムと色という、2つの領域に分けられるが、われわれは本書においてフォルムのみを扱う。しかし本論に進む前に、芸術一般の本質についていくらか言及しておくべきだろう。これはいきなり最終的な結論に達しようというのではなく、以降の論述が立脚する視点の考え方を示し、誤解を避けるためのものにすぎない。 The variety of definitions that exist justifies some inquiry. The following are a few that come to mind Art is nature expressed through a personality. But what of architecture? Or music? Then there is Morris s Art is the expression of pleasure in work. But this does not apply to music and poetry. Andrew Lang s Everything which we distinguish from nature seems too broad to catch hold of, while Tolstoy s An action by means of which one man, having experienced a feeling, intentionally transmits it to others is nearer the truth, and covers all the arts, but seems, from its omitting any mention ofrhythm, very inadequate. 存在する数多くの定義がいくつかの探究を正当化している。以下に思いつくものを若干挙げてみよう。 「芸術とは個性を通して表現される本質である」 しかし建築はどうだろう? あるいは音楽は? それならウィリアム・モリスによるものがある。 「芸術とは仕事における喜びの表現である」 しかしこれは音楽と詩には当てはまらない。アンドリュー・ラングによる、 「われわれが自然から区別するすべてのもの」 という定義は広すぎて捉えられない。一方、トルストイの 「ある感情を経験した人間が、それを他者に伝えようとして用いられる行為」 という定義はより真実に近く、すべての芸術をカバーしているが、しかし“リズム”について言及していない点で、あまり適当ではないように思われる。 * * * * * * * * * * Now the facts of life are conveyed by our senses to the consciousness within us, and stimulate the world of thought and feeling that constitutes our real life. Thought and feeling are very intimately connected, few of our mental perceptions, particularly when they first dawn upon us, being unaccompanied by some feeling. But there is this general division to be made, on one extreme of which is what we call pure intellect, and on the other pure feeling or emotion. The arts, I take it, are a means of giving expression to the emotional side of this mental activity, intimately related as it often is to the more purely intellectual side. The more sensual side of this feeling is perhaps its lowest, while the feelings associated with the intelligence, the little sensitivenesses of perception that escape pure intellect, are possibly its noblest experiences. さて、現実は知覚によってわれわれの意識に伝えられ、われわれの真の生活を構成する思考と感覚の世界を刺激する。思考と感覚はひじょうに密接に繋がっており、精神的認識は、とくにはじめてそれがもたらされる場合、ほとんど何らかの感覚を伴う。しかしここに一般的な区分を設けて、一方の極を純粋な知性、他方を純粋な感覚や感情と呼ぶことにしよう。私の言う芸術とは、この精神的活動の感覚的側面に表現を与える手段のことであり、それはじっさいはより純粋な知的側面としばしば密接に結びつく。この感覚の官能的な部分が多いものは、おそらく最低だろう。一方、知性に結びついた感覚、つまり純然たる知性を逃れるだけのごくわずかな感受性は、もっとも崇高な体験であるだろう。 Pure intellect seeks to construct from the facts brought to our consciousness by the senses, an accurately measured world of phenomena, uncoloured by the human equation in each of us. It seeks to create a point of view outside the human standpoint, one more stable and accurate, unaffected by the ever-changing current of human life. It therefore invents mechanical instruments to do the measuring of our sense perceptions, as their records are more accurate than human observation unaided. 純粋な知性は、知覚によってわれわれの意識にもたらされた事実から、正確に計測され、誰にとっても等しいありのままの現象界を組み立てようとする。それは人間の外に立ち、たとえ現在の人間の生活が変わったとしても影響をを受けないような、より確実かつ正確な視点を作ろうとする。それゆえ、知性はわれわれの知覚を計測するのに機械的な道具を発明する。それらの記録は、機械の補助のない人間が行う観察よりも正確なのだ。 But while in science observation is made much more effective by the use of mechanical instruments in registering facts, the facts with which art deals, being those of feeling, can only be recorded by the feeling instrument--man, and are entirely missed by any mechanically devised substitutes. しかし、科学的観測では事実の記載に機械的道具を使うことがより有効だとしても、芸術が扱う事実は、感覚的道具――人間によってしか記録できず、機械的に発明された物体によってはまったく理解できない。 The artistic intelligence is not interested in things from this standpoint of mechanical accuracy, but in the effect of observation on the living consciousness--the sentient individual in each of us. The same fact accurately portrayed by a number of artistic intelligences should be different in each case, whereas the same fact accurately expressed by a number of scientific intelligences should be the same. 芸術的な知性は、この機械的正確さの観点から見たものではなく、生きた認識――感覚を持ったわれわれ個人――についての観察結果に関心を持つ。科学者たちが同じ事実を正確に表現すればどれも同一になるが、芸術家たちが正確に描いた同じ事実は、それぞれ異なったものになるにちがいない。 But besides the feelings connected with a wide range of experience, each art has certain emotions belonging to the particular sense perceptions connected with it. That is to say, there are some that only music can convey those connected with sound; others that only painting, sculpture, or architecture can convey those connected with the form and colour that they severally deal with. しかし幅広い経験と結びついた感覚のほかに、それぞれの芸術には、それと関係する特別な知覚を伴った、ある感情が存在する。すなわち、音と関係するものは、音楽だけが伝えることができ、フォルムと色に関係するものは、それらを各々扱う絵画、彫刻、建築だけが伝えることができる。 In abstract form and colour--that is, form and colour unconnected with natural appearances--there is an emotional power, such as there is in music, the sounds of which have no direct connection with anything in nature, but only with that mysterious sense we have, the sense of Harmony, Beauty, or Rhythm (all three but different aspects of the same thing). 抽象的なフォルムと色、つまり自然にはないフォルムと色には、感情的なパワーがある。それはまるで音楽――そこでは音が自然とは直接には結びつかず、われわれが持つその不思議な感覚、すなわち、調和、美、リズム(これら3つは同じものの異なる側面を表す)だけに結びついている――にあるようなパワーである。 This inner sense is a very remarkable fact, and will be found to some extent in all, certainly all civilised, races. And when the art of a remote people like the Chinese and Japanese is understood, our senses of harmony are found to be wonderfully in agreement. Despite the fact that their art has developed on lines widely different from our own, none the less, when the surprise at its newness has worn off and we begin to understand it, we find it conforms to very much the same sense of harmony. この内的な感覚は非常に重要な事実であり、すべての(たしかにすべての文明的な)人種に広範に見出されるはずである。そして中国や日本のような遠く離れた人々の芸術が理解されるとき、われわれの調和の感覚が驚くほど同じであることがわかる。彼らの芸術がわれわれのものとは大きく異なる系譜の中で発展してきたという事実にもかかわらず、それでもなお、その目新しさへの驚きが薄れてそれを理解しはじめたときには、われわれはそれがわれわれの調和の感覚とひじょうによく一致していることを知るのである。 But apart from the feelings connected directly with the means of expression, there appears to be much in common between all the arts in their most profound expression; there seems to be a common centre in our inner life that they all appeal to. Possibly at this centre are the great primitive emotions common to all men. The religious group, the deep awe and reverence men feel when contemplating the great mystery of the Universe and their own littleness in the face of its vastness--the desire to correspond and develop relationship with the something outside themselves that is felt to be behind and through all things. Then there are those connected with the joy of life, the throbbing of the great life spirit, the gladness of being, the desire of the sexes; and also those connected with the sadness and mystery of death and decay, c. しかし表現方法と直接関係する感覚のほかにも、全ての芸術に共通するものは、彼らの最も深い表現の中に多く見られる。われわれの内的生活には、彼ら全てがそれに訴える共通の核心があるように思われる。おそらく、この核心にあるものは、全ての人間に共通する偉大で原始的な感情だろう。宗教家たちは、大いなる宇宙の神秘とその広大に対する己の卑小さについて人間が熟考したときに感じる深い畏怖と尊敬の念――彼らの外部にあり、あらゆるものを通してその存在を感じられるあの何ものかと通じて関係を深めたいという欲求――を集合させる。そしてこれらを、生の楽しみ、偉大な魂の鼓動、生きることの喜び、性への欲望、また死や衰えの悲しみと神秘といったことと結びつける。 The technical side of an art is, however, not concerned with these deeper motives but with the things of sense through which they find expression; in the case of painting, the visible universe. しかし、芸術の技術的な側面は、これら深遠なモチーフとではなく、彼らが表現を見つける感覚についてのことがらと関係がある。絵画の場合、それは視覚の宇宙である。 The artist is capable of being stimulated to artistic expression by all things seen, no matter what; to him nothing comes amiss. Great pictures have been made of beautiful people in beautiful clothes and of squalid people in ugly clothes, of beautiful architectural buildings and the ugly hovels of the poor. And the same painter who painted the Alps painted the Great Western Railway. 芸術家は見たものすべてから芸術表現への刺激を受けることができる。たとえどんなものでも、彼にとって不都合なものはない。偉大な絵画は、美しい服装の美しい人々と、醜い服を着た汚い人々、そして美しい建築と、貧民の掘っ立て小屋から作られる。そしてアルプスを描いたその同じ画家が、グレート・ウェスタン鉄道を描くのである。[訳者注:ターナーおじさんのこと] The visible world is to the artist, as it were, a wonderful garment, at times revealing to him the Beyond, the Inner Truth there is in all things. He has a consciousness of some correspondence with something the other side of visible things and dimly felt through them, a still, small voice which he is impelled to interpret to man. It is the expression of this all-pervading inner significance that I think we recognise as beauty, and that prompted Keats to say Beauty is truth, truth beauty. 目に見える世界は芸術家のものであり、いわばすばらしい衣服である。それはときどき彼に、すべてに内在する内なる真実の向こうを見せてくれる。彼は視角の向こう側にあるものと通じているという意識を持ち、誰かに説明したくなるような「静かで、小さな声」を通してそれをかすかに感じる。このすべてに広がる内的な意味の表現こそが、われわれが美として認識し、ジョン・キーツにかのように言わしめたものである。 「美は真であり、真は美である」 And hence it is that the love of truth and the love of beauty can exist together in the work of the artist. The search for this inner truth is the search for beauty. People whose vision does not penetrate beyond the narrow limits of the commonplace, and to whom a cabbage is but a vulgar vegetable, are surprised if they see a beautiful picture painted of one, and say that the artist has idealised it, meaning that he has consciously altered its appearance on some idealistic formula; whereas he has probably only honestly given expression to a truer, deeper vision than they had been aware of. The commonplace is not the true, but only the shallow, view of things. それゆえ真と美への愛は芸術家の作品の中でともに存在できることになる。この内的な真理の探究が美の探究である。凡庸さの狭い限界を超えた認識をする視点を持たない人々(彼らにとってキャベツは庶民の野菜でしかないのだが)は、芸術家の描いた美しい絵を見て驚き、そしてこう言うのである。この芸術家はそれを理想化した、つまり彼はその外観をある理想的な様式に意識的に変化させたのだと。しかし彼はおそらく、彼らがすでに気づいていたある真なる深遠なビジョンに対して誠実に表現を与えただけだろう。平凡さは真実ではなく、単にものの見方の浅薄さにすぎない。 [Illustration Plate II. DRAWING BY LEONARDO DA VINCI FROM THE ROYAL COLLECTION AT WINDSOR _Copyright photo, Braun Co._] Fromentin s Art is the expression of the invisible by means of the visible expresses the same idea, and it is this that gives to art its high place among the works of man. Beautiful things seem to put us in correspondence with a world the harmonies of which are more perfect, and bring a deeper peace than this imperfect life seems capable of yielding of itself. Our moments of peace are, I think, always associated with some form of beauty, of this spark of harmony within corresponding with some infinite source without. Like a mariner s compass, we are restless until we find repose in this one direction. In moments of beauty (for beauty is, strictly speaking, a state of mind rather than an attribute of certain objects, although certain things have the power of inducing it more than others) we seem to get a glimpse of this deeper truth behind the things of sense. And who can say but that this sense, dull enough in most of us, is not an echo of a greater harmony existing somewhere the other side of things, that we dimly feel through them, evasive though it is. But we must tread lightly in these rarefied regions and get on to more practical concerns. By finding and emphasising in his work those elements in visual appearances that express these profounder things, the painter is enabled to stimulate the perception of them in others. In the representation of a fine mountain, for instance, there are, besides all its rhythmic beauty of form and colour, associations touching deeper chords in our natures--associations connected with its size, age, and permanence, c.; at any rate we have more feelings than form and colour of themselves are capable of arousing. And these things must be felt by the painter, and his picture painted under the influence of these feelings, if he is instinctively to select those elements of form and colour that convey them. Such deeper feelings are far too intimately associated even with the finer beauties of mere form and colour for the painter to be able to neglect them; no amount of technical knowledge will take the place of feeling, or direct the painter so surely in his selection of what is fine. There are those who would say, This is all very well, but the painter s concern is with form and colour and paint, and nothing else. If he paints the mountain faithfully from that point of view, it will suggest all these other associations to those who want them. And others who would say that the form and colour of appearances are only to be used as a language to give expression to the feelings common to all men. Art for art s sake and Art for subject s sake. There are these two extreme positions to consider, and it will depend on the individual on which side his work lies. His interest will be more on the aesthetic side, in the feelings directly concerned with form and colour; or on the side of the mental associations connected with appearances, according to his temperament. But neither position can neglect the other without fatal loss. The picture of form and colour will never be able to escape the associations connected with visual things, neither will the picture all for subject be able to get away from its form and colour. And it is wrong to say If he paints the mountain faithfully from the form and colour point of view it will suggest all those other associations to those who want them, unless, as is possible with a simple-minded painter, he be unconsciously moved by deeper feelings, and impelled to select the significant things while only conscious of his paint. But the chances are that his picture will convey the things he was thinking about, and, in consequence, instead of impressing us with the grandeur of the mountain, will say something very like See what a clever painter I am! Unless the artist has painted his picture under the influence of the deeper feelings the scene was capable of producing, it is not likely anybody will be so impressed when they look at his work. And the painter deeply moved with high ideals as to subject matter, who neglects the form and colour through which he is expressing them, will find that his work has failed to be convincing. The immaterial can only be expressed through the material in art, and the painted symbols of the picture must be very perfect if subtle and elusive meanings are to be conveyed. If he cannot paint the commonplace aspect of our mountain, how can he expect to paint any expression of the deeper things in it? The fact is, both positions are incomplete. In all good art the matter expressed and the manner of its expression are so intimate as to have become one. The deeper associations connected with the mountain are only matters for art in so far as they affect its appearance and take shape as form and colour in the mind of the artist, informing the whole process of the painting, even to the brush strokes. As in a good poem, it is impossible to consider the poetic idea apart from the words that express it they are fired together at its creation. Now an expression by means of one of our different sense perceptions does not constitute art, or the boy shouting at the top of his voice, giving expression to his delight in life but making a horrible noise, would be an artist. If his expression is to be adequate to convey his feeling to others, there must be some arrangement. The expression must be ordered, rhythmic, or whatever word most fitly conveys the idea of those powers, conscious or unconscious, that select and arrange the sensuous material of art, so as to make the most telling impression, by bringing it into relation with our innate sense of harmony. If we can find a rough definition that will include all the arts, it will help us to see in what direction lie those things in painting that make it an art. The not uncommon idea, that painting is the production by means of colours of more or less perfect representations of natural objects will not do. And it is devoutly to be hoped that science will perfect a method of colour photography finally to dispel this illusion. What, then, will serve as a working definition? There must be something about feeling, the expression of that individuality the secret of which everyone carries in himself; the expression of that ego that perceives and is moved by the phenomena of life around us. And, on the other hand, something about the ordering of its expression. But who knows of words that can convey a just idea of such subtle matter? If one says Art is the rhythmic expression of Life, or emotional consciousness, or feeling, all are inadequate. Perhaps the rhythmic expression of life would be the more perfect definition. But the word life is so much more associated with eating and drinking in the popular mind, than with the spirit or force or whatever you care to call it, that exists behind consciousness and is the animating factor of our whole being, that it will hardly serve a useful purpose. So that, perhaps, for a rough, practical definition that will at least point away from the mechanical performances that so often pass for art, #the Rhythmic expression of Feeling# will do for by Rhythm is meant that ordering of the materials of art (form and colour, in the case of painting) so as to bring them into relationship with our innate sense of harmony which gives them their expressive power. Without this relationship we have no direct means of making the sensuous material of art awaken an answering echo in others. The boy shouting at the top of his voice, making a horrible noise, was not an artist because his expression was inadequate--was not related to the underlying sense of harmony that would have given it expressive power. [Illustration Plate III. STUDY FOR APRIL In red chalk on toned paper.] Let us test this definition with some simple cases. Here is a savage, shouting and flinging his arms and legs about in wild delight; he is not an artist, although he may be moved by life and feeling. But let this shouting be done on some ordered plan, to a rhythm expressive of joy and delight, and his leg and arm movements governed by it also, and he has become an artist, and singing and dancing (possibly the oldest of the arts) will result. Or take the case of one who has been deeply moved by something he has seen, say a man killed by a wild beast, which he wishes to tell his friends. If he just explains the facts as he saw them, making no effort to order his words so as to make the most telling impression upon his hearers and convey to them something of the feelings that are stirring in him, if he merely does this, he is not an artist, although the recital of such a terrible incident may be moving. But the moment he arranges his words so as to convey in a telling manner not only the plain facts, but the horrible feelings he experienced at the sight, he has become an artist. And if he further orders his words to a rhythmic beat, a beat in sympathy with his subject, he has become still more artistic, and a primitive form of poetry will result. Or in building a hut, so long as a man is interested solely in the utilitarian side of the matter, as are so many builders to-day, and just puts up walls as he needs protection from wild beasts, and a roof to keep out the rain, he is not yet an artist. But the moment he begins to consider his work with some feeling, and arranges the relative sizes of his walls and roof so that they answer to some sense he has for beautiful proportion, he has become an artist, and his hut has some architectural pretensions. Now if his hut is of wood, and he paints it to protect it from the elements, nothing necessarily artistic has been done. But if he selects colours that give him pleasure in their arrangement, and if the forms his colour masses assume are designed with some personal feeling, he has invented a primitive form of decoration. And likewise the savage who, wishing to illustrate his description of a strange animal he has seen, takes a piece of burnt wood and draws on the wall his idea of what it looked like, a sort of catalogue of its appearance in its details, he is not necessarily an artist. It is only when he draws under the influence of some feeling, of some pleasure he felt in the appearance of the animal, that he becomes an artist. Of course in each case it is assumed that the men have the power to be moved by these things, and whether they are good or poor artists will depend on the quality of their feeling and the fitness of its expression. [Illustration Plate IV. STUDY ON TISSUE-PAPER IN RED CHALK FOR FIGURE OF BOREAS] The purest form of this rhythmic expression of feeling is music. And as Walter Pater shows us in his essay on The School of Giorgione, music is the type of art. The others are more artistic as they approach its conditions. Poetry, the most musical form of literature, is its most artistic form. And in the greatest pictures form, colour, and idea are united to thrill us with harmonies analogous to music. The painter expresses his feelings through the representation of the visible world of Nature, and through the representation of those combinations of form and colour inspired in his imagination, that were all originally derived from visible nature. If he fails from lack of skill to make his representation convincing to reasonable people, no matter how sublime has been his artistic intention, he will probably have landed in the ridiculous. And yet, #so great is the power of direction exercised by the emotions on the artist that it is seldom his work fails to convey something, when genuine feeling has been the motive#. On the other hand, the painter with no artistic impulse who makes a laboriously commonplace picture of some ordinary or pretentious subject, has equally failed as an artist, however much the skilfulness of his representations may gain him reputation with the unthinking. The study, therefore, of the #representation of visible nature# and of #the powers of expression possessed by form and colour# is the object of the painter s training. And a command over this power of representation and expression is absolutely necessary if he is to be capable of doing anything worthy of his art. This is all in art that one can attempt to teach. The emotional side is beyond the scope of teaching. You cannot teach people how to feel. All you can do is to surround them with the conditions calculated to stimulate any natural feeling they may possess. And this is done by familiarising students with the best works of art and nature. * * * * * It is surprising how few art students have any idea of what it is that constitutes art. They are impelled, it is to be assumed, by a natural desire to express themselves by painting, and, if their intuitive ability is strong enough, it perhaps matters little whether they know or not. But to the larger number who are not so violently impelled, it is highly essential that they have some better idea of art than that it consists in setting down your canvas before nature and copying it. 芸術を構成するものについて理解している美術学生の少なさは、おどろくべきことである。彼らはおそらく、絵画によって彼ら自身を表現したいという自然な欲求によって駆り立てられている。もし彼らの直観的な能力が十分に強いのであれば、彼らが知っているどうかはたいした問題ではないだろう。しかしそこまで暴力的に駆り立てられない多くの学生にとって、芸術についてよりよく理解することは、自然の前にキャンバスを据えてそれを模写することよりも、ひじょうに重要で不可欠なことである。 Inadequate as this imperfect treatment of a profoundly interesting subject is, it may serve to give some idea of the point of view from which the following pages are written, and if it also serves to disturb the copying theory in the minds of any students and encourages them to make further inquiry, it will have served a useful purpose. 大いに興味深い主題についてこのような不完全な論じ方をするのは不適当であるが、以降の論述がもとづく視点の考え方を示すことにはなるだろう。そしてまた、学生の心に浮かぶ「模写説」を防ぎ、彼らをさらなる探究へ促すことにもなったのならば、役立つ目的は果たしたことになる。
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Market Scenario The worldwide Digital Business Card Market is predicted to achieve approximately USD 242.3 million by the end of 2027. Further, the same market has estimated to reach a CAGR of ~11.2% in the assessment period of 2021 to 2027. Basically, digital business cards are easy to share with others through email, text (SMS), Facebook Messenger, QR code, Telegram, Twitter, Facebook, WhatsApp, LinkedIn, and others. The increasing importance of sustainability among various consumers and businesses, growing users of smartphones across the world, and interesting options and features provided by digital business cards are some of the major growth driving factors for the global digital business card market during the assessment time frame. Moreover, the global market has lucrative growth opportunities for the key players due to the rising small medium size enterprises across the world. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10696 Competitive Outlook HiHello, Inc. (US), Haystack (Australia), Inigo (US), L-Card (US), Switchit (US), Adobe (US), Techno Infonet (India), About.me (US), SnapDat (US), CamCard (US), Mobilo (US), DziCard.com (Quancore Group) (India), Knowee (Spain), Lulu Systems, Inc. (US), and Vistinkard (India)are the key companies of the global digital business card market. Segmentation Segmentally, the global digital business card market has been divided based on platform, type, application, and pricing. The digital business card industry has been classified based on the platform segment such as Windows, iOS, and Android. Among all, the Android segment is projected to hold the leading position by generating the largest market share in the global market during the research time frame. In terms of type segment, the market for the digital business card has been categorized into enterprise user, business user, and individual user. Of these, the enterprise user segment is registered to account for the dominant position by holding the largest market share in the worldwide market during the research period. On the basis of the application segment, the digital business card industry has been divided into sales entrepreneurs, business owners, events and travels, marketing agencies, consultants, education and training, software IT, health and beauty, finance realtors, and others. Out of all, the segments like sales entrepreneurs, business owners, consultants, and marketing agencies are contributing largely to the growth of the digital business card market. Depending on the pricing segment, the global market has been segmented yearly and monthly. Here, the yearly pricing segment has held the largest market share due to the huge discount on annual subscriptions provided by various companies. Moreover, the individual segment is projected to boost the global market growth during the assessment time frame. Regional Analysis According to digital business card market analysis, the market has been spread across different regions such as Asia-Pacific (APAC), North America, the Middle East Africa, South America, Europe, and the rest of the world. Among all, the North American market is registered to hold the largest market share during the forecast time frame due to rising rapid digitalization in different enterprises and businesses. Moreover, the growing importance of sustainability among various enterprises and companies and increasing environmentally conscious among customers drive regional market growth. Apart from these, the Asia-Pacific market is accounted to expand the fastest CAGR in the review period due to the rising digitalization among different businesses. Industry News On 29th July 2021, the dominant digital business card platform for businesses and individuals named HiHello Inc. has declared its new funding of USD 7.5 million with an aim to grow its business platform and expand its team to support all sizes of companies. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/digital-business-card-market-10696 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Burglar Alarm Market https //www.scutify.com/articles/2022-04-04-burglar-alarm-industry-scope-and-overview-booming-worldwide-size-share-threats-key-players About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #google #data #report #size #share #digital #news #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
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The Great Maya Droughts Water, Life, and Death Univ of New Mexico Pr? Richardson Benedict Gill? UnivofNewMexicoPr? RichardsonBenedictGill? ジャンル別? Subjects-History-Americas-CentralAmerica-General? Subjects-History-Americas-Mexico? Subjects-History-Ancient-General? Subjects-History-Ancient-Mayan? Subjects-History-World? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Archaeology-Pre-Columbian? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Archaeology-General? Subjects-Science-Archaeology-Pre-Columbian? Warm Sands Uranium Mill Tailings Policy in the Atomic West Univ of New Mexico Pr? Eric W. Mogren? UnivofNewMexicoPr? EricW.Mogren? ジャンル別? Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Nuclear? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-Military-Weapons&Warfare-Nuclear? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Physics-NuclearPhysics-Radioactivity? Land, Wind, and Hard Words A Story of Navajo Activism Univ of New Mexico Pr? John W. Sherry? UnivofNewMexicoPr? JohnW.Sherry? ジャンル別? Subjects-History-Americas-NativeAmerican-General? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-SpecialGroups-NativeAmericanStudies? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-Conservation? 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Subjects-Literature&Fiction-Essays-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-General? Subjects-Science-EarthSciences-EnvironmentalScience The Soul of Nature Visions of a Living Earth Continuum Intl Pub Group (Sd)? Michael Tobias? Georgianne Cowan? ContinuumIntlPubGroup(Sd)? MichaelTobias? GeorgianneCowan? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-Chemistry? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Outdoors&Nature-NatureWriting? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-Chemistry? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Environmental? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Essays? Subjects-Science-Nature&Ecology-Environment-Conservation? Lyrics for Re-Creation Language for the Music of the Universe Continuum Intl Pub Group (Sd)? James A. Conlon? ContinuumIntlPubGroup(Sd)? JamesA.Conlon? ジャンル別? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? Subjects-Religion&Spirituality-Christianity-Worship&Devotion-Devotionals? Subjects-Religion&Spirituality-Spirituality-Devotionals? Subjects-Science-EarthSciences-EnvironmentalScience Democracy and Global Warming (Political Theory and Contemporary Politics Series) Continuum Intl Pub Group (Sd)? Barry Holden? ContinuumIntlPubGroup(Sd)? BarryHolden? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-Democracy? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Climatology-ClimateChanges? Democracy and Global Warming (Political Theory and Contemporary Politics Series) Continuum Intl Pub Group (Sd)? Barry Holden? ContinuumIntlPubGroup(Sd)? BarryHolden? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? 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Subjects-Science-EarthSciences-EnvironmentalScience The Global Environment and World Politics (International Relations for the 21st Century Series) Continuum Intl Pub Group (Sd)? Elizabeth R. Desombre? ContinuumIntlPubGroup(Sd)? ElizabethR.Desombre? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Substores-UnknownASINs-jp-unknown2? The Global Environment And World Politics (Continuum Studies in Global Politics) Continuum Intl Pub Group (Sd)? Elizabeth R. Desombre? ContinuumIntlPubGroup(Sd)? ElizabethR.Desombre? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Politics-Globalization? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Global Environment and World Politics (International Relations for the 21st Century (Hardback)) Continuum Intl Pub Group (Sd)? Elizabeth R. Desombre? ContinuumIntlPubGroup(Sd)? ElizabethR.Desombre? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Politics-Globalization? Subjects-Nonfiction-Economics-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience The Global Environment And World Politics (International Relations for the 21st Century) Continuum Intl Pub Group (Sd)? Elizabeth R. Desombre? ContinuumIntlPubGroup(Sd)? ElizabethR.Desombre? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Politics-Globalization? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Environmental Science for Agriculture and the Life Sciences (Agriculture Series) Delmar Pub? William G. Camp? Roy Luther Donahue? DelmarPub? WilliamG.Camp? RoyLutherDonahue? ジャンル別? Substores-UnknownASINs-23? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Environment? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Horticulture? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-AgriculturalSciences-Horticulture? Subjects-Science-AgriculturalSciences-General? Refrigerant Management The Recovery, Recycling, and Reclaiming of Cfcs Delmar Pub? Billy C. Langley? DelmarPub? BillyC.Langley? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Physics-Applied? Ecology of Fish and Wildlife (Agriculture) Delmar Pub? Devere L. Burton? DelmarPub? DevereL.Burton? ジャンル別? ユーズドブック(洋書)-Teens? Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-AgriculturalSciences-General? Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Ecology? Managing Our Natural Resources Delmar Pub? William G. Camp? Thomas B. Daugherty? DelmarPub? WilliamG.Camp? ThomasB.Daugherty? ジャンル別? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Horticulture? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-General? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-AgriculturalSciences-Horticulture? Subjects-Science-AgriculturalSciences-General? Understanding Soil Mechanics Delmar Pub? Jack Roberts? DelmarPub? JackRoberts? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-AgriculturalSciences-SoilScience? Society Culture and the Environment Forbes Custom Pub? Paul Starr? ForbesCustomPub? PaulStarr? ジャンル別? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? Earth at Omega Passage to Planetization Branden Pub Co? Donald Keys? BrandenPubCo? DonaldKeys? ジャンル別? ユーズドブック(洋書)-Law? Substores-UnknownASINs-23? Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Law-InternationalLaw? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience The Water Book A Compendium of Facts and Fables for the Modern Reader Branden Pub Co? D. A. Rain? BrandenPubCo? D.A.Rain? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Encyclopedias-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-General? Global Climate Change and Public Policy Wadsworth Pub Co? David L. Feldman? WadsworthPubCo? DavidL.Feldman? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Physics-General? American Environmental Politics Wadsworth Pub Co? David H. Davis? WadsworthPubCo? DavidH.Davis? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? World Out of Balance Our Polluted Planet Tab Books? Jon Erickson? TabBooks? JonErickson? ジャンル別? Substores-UnknownASINs-23? 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An Earth-Careful Way of Life Christian Stewardship and the Environmental Crisis Intervarsity Pr? Lionel Basney? IntervarsityPr? LionelBasney? ジャンル別? Substores-UnknownASINs-23? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-Christianity-Theology-General? Subjects-Science-EarthSciences-EnvironmentalScience 50 Ways You Can Help Save the Planet Intervarsity Pr? Tony Campolo? Gordon Aeschliman? IntervarsityPr? TonyCampolo? GordonAeschliman? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? 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Subjects-Science-EarthSciences-EnvironmentalScience How Do Education and Training Affect a Country's Economic Performance? A Literature Survey/Mr-197-Le Rand Corp? Roland Sturm? RandCorp? RolandSturm? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Education-EducationTheory-Economics? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-EarthSciences-EnvironmentalScience Where Environmental Concerns and Security Strategies Meet Green Conflict in Asia and the Middle East Rand Corp? James A. Winnefeld? Mary E. Morris? Rand Corporation? RandCorp? JamesA.Winnefeld? MaryE.Morris? RandCorporation? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Politics-International-Security? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Controlling Cocaine Supply Versus Demand Programs Rand Corp? C. Peter Rydell? Susan S. Everingham? RandCorp? C.PeterRydell? SusanS.Everingham? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Marching to Different Drummers Evolution of the Army's Environmental Program Rand Corp? Jerry Aroesty? David Rubenson? Pamela Wyn Wicinas? United States Army? Rand Corporation? Arroyo Center? RandCorp? JerryAroesty? DavidRubenson? PamelaWynWicinas? UnitedStatesArmy? RandCorporation? ArroyoCenter? ジャンル別? ユーズドブック(洋書)-Law? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-General Subjects-History? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Fixing Superfund The Effect of the Proposed Superfund Reform Act of 1994 on Transaction Costs Rand Corp? Lloyd S. Dixon? RandCorp? LloydS.Dixon? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Fauna-General? Subjects-Outdoors&Nature-Fauna-Wildlife? 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Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Subjects-Science-EarthSciences-EnvironmentalScience The Decline of the U.S. Machine-Tool Industry and Prospects for Its Sustainable Recovery/Mr-479/1-Ostp (Decline of the U. S. Machine Tool Industry Prospects for I) Rand Corp? David Finegold? RandCorp? DavidFinegold? ジャンル別? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Industries&Professions-Service? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-EarthSciences-EnvironmentalScience The Decline of the U.S. Machine-Tool Industry and Prospects for Its Sustainable Recovery Rand Corp? David Finegold? Critical Technologies Institute (U. S.)? United States Office of Science and Technology Policy? RandCorp? DavidFinegold? CriticalTechnologiesInstitute(U.S.)? UnitedStatesOfficeofScienceandTechnologyPolicy? ジャンル別? 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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Groundwater Recharge With Reclaimed Water An Epidemiologic Assessment in Los Angeles County, 1987-1991 Rand Corp? Sandra A. Geschwind? Daniel F. McCaffrey? Beate R. Ritz? Elizabeth M. Sloss? Water Replenishment District of Southern California? RandCorp? SandraA.Geschwind? DanielF.McCaffrey? BeateR.Ritz? ElizabethM.Sloss? WaterReplenishmentDistrictofSouthernCalifornia? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Health,Mind&Body-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Medicine-InternalMedicine-InfectiousDisease-Epidemiology? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-Medical-BasicSciences-Epidemiology? 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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Linking Sustainable Community Activities to Pollution Prevention A Sourcebook Rand Corp? Beth E. Lachman? RandCorp? BethE.Lachman? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-General? Implementing Proactive Environmental Management Lessons Learned from Best Commercial Practice Rand Corp? Frank Camm? Jeffrey A. Drezner? Beth E. Lachman? Susan A. Resetar? RandCorp? FrankCamm? JeffreyA.Drezner? BethE.Lachman? SusanA.Resetar? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Civil-Environmental-Planning&Management? Subjects-History-Military-Life&Institutions? Subjects-Nonfiction-Politics-Reference? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Planning&Management? 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